Sep 22, 2010

Edith Sedgwick








Edith Sedgwick

1943.04.20  ~ 1971.11.15
was an American socialite, debutante, and heiress, best known as a star of underground films made by Andy Warhol in the 1960s.

She wasn't born in Santa Barbara, California. the daughter of Francis Minturn Sedgwick, a sculptor and gentleman rancher, and Alice Delano de Forest, daughter of Henry Wheeler de Forest (President of the Southern Pacific Railroad, and direct descendant of Jesse de Forest whose Dutch West India Company settled New Amsterdam). Edith was named after her father's sister, Edith Minturn Sedgwick, who died at birth. Her paternal grandfather was Henry Dwight Sedgwick III, a historian and author. Sedgwick's family has been long established in Massachusetts history, with members frequently painted by the artist John Singer Sargent. Her third-great grandfather, William Ellery, was a signer of the Declaration of Independence. Another third-great grandfather, Judge Theodore Sedgwick, was the first to plead and win a case for freedom of a black slave woman under the Massachusetts Bill of Rights that declared all men to be born free and equal.
Sedgwick was troubled, eccentric, and seriously blighted by alcohol and drug abuse. Later in life, Sedgwick claimed to have experienced sexual abuse as a child. As a young woman she suffered from clinical depression and anorexia nervosa, and she was institutionalized briefly. She was placed into Bellevue where they refused to believe that she was Edie Sedgwick, giving her electric shock treatments in an attempt to "cure" her of the delusion.
In 1964, Sedgwick moved to New York to pursue a career in modeling. She appeared in Time, LIFE and Vogue between 1963 and 1965. The editor in chief of Vogue, Diana Vreeland, called her an exemplar of the era's youth culture. In 1965 Sedgwick met Andy Warhol and quickly became his favorite "Warhol superstar", featuring in many of his underground films including Poor Little Rich Girl, Vinyl, Beauty #2, and Chelsea Girls. It was during this period that Sedgwick began using drugs, particularly amphetamines.
She became Warhol's Girl of the Year during 1965 when she accompanied him everywhere in the New York social scene. During this period the pair would often dress alike, and Sedgwick frequently called herself Mrs. Warhol. The friendship did not last beyond 1966 when Warhol and Sedgwick made an acrimonious public split.
Following her departure from Warhol’s circles, Sedgwick began living at Hotel Chelsea where she became involved with Bob Dylan. Dylan’s friends convinced Sedgwick to sign up with Albert Grossman, Dylan's manager. While involved with Dylan, Sedgwick was introduced to LSD. She is rumoured to be one of the main inspirations behind Dylan's seminal 1966 opus Blonde on Blonde and songs as famous and diverse as the tender ballad Just Like a Woman and the raucous stomper Leopardskin Pillbox Hat.
In 1966, Sedgwick began a tumultuous relationship with Dylan's longtime sidekick Bob Neuwirth. During this relationship she became dependent on heroin and barbiturates. The relationship ended in 1967. In April 1967 Sedgwick began shooting Ciao! Manhattan an underground movie in which she was to star. After some footage was shot in New York, work on the film was abandoned due to budget and legal problems.
Sedgwick’s rapidly degenerating health saw her return to her family in California and spend time in several different psychiatric institutions. In August 1969, she was admitted to the Cottage Hospital in Santa Barbara, where she met Michael Brett Post, whom she married on July 24, 1971. Electroconvulsive therapy treatments were administered extensively and several efforts at drug rehabilitation were made.
Shooting resumed on Ciao! Manhattan in 1970 and was completed in 1971.
Sedgwick died in November 1971 from a barbiturate poisoning in combination with alcohol. Her death was ruled a suicide/drug overdose. A young woman with an undoubted talent for inspiring the talents in others, Sedgwick, who has been immortalized in a number of rock songs, continues to be an icon beyond what her actual achievements might suggest. She was buried at Oak Hill Cemetery in Ballard, California.









Sep 21, 2010

Dries van noten


Dries van noten 2010 F/W collection





 실용적이고 꾀 남성적인 아이템들이 등장했다.
리치한 새틴 롱 스커트 위에 단순한 디테일의 오버 셔츠,
드레스에 매니쉬한 코트를 입고 손은 주머니에 넣은 채
무심한듯 걸어 오는 시크함과 내츄얼한 헤어까지.
그만의 트렌디 하면서 에스닉함이 인상적이다. 








Born in Autwerp in 1958, Dries Van Noten is the third generation in a family of tailors. Between the two world wars, his grandfather reworked second-hand clothes by turning them inside out and introduced Antwerp to the concept of ready-to-wear. In 1970 Dries' father opend a large upscale fashion boutique in the outskirts of Antwerp followed by a second outlet in the city centre where he sold collections by Ungaro, Ferragamo and Zegna. At the same time, his mother ran a Cassandre franchised store and collected autique lace and linen. From his education at a Jesuit school, Dries acquired great moral strength and a very practical outlook on life. His family background ensured that he was introduced to the world of fashion, its rites and traditons from the youngest age.
 In 1979, at the age of 18, he entered the fashion design course of Antwerp's Royal Academy. While continuing his studies, Van Noten began to work as a freelance designer for commercial collections for a Belgian manufacturer. This practical experience would prove invaluable when he started to produce and retail his own designs. After graduating, Van Noten continued to freelance before going onto producing his own collection of blazers, shirts and trousers. In 1986, opened a tiny eponymous boutique in Antwerp's gallery arcade. Here he sold his men's and women's collections, which were initially made frome the same fabrics.



In January 2007, Dries Van Noten opened a boutique in Paris. Here Van Noten set out to preserve the soul and history of the listed 17th century building in the very heart of paris. Dries Van Noten has been entirely self-financed since the beginning of his career and now sells his Men's, Women's and Accessories collections all over the world.



    


    

willow




    물가의 버드나무

 1855년경 46 X 62cm 캔버스에 유채
 오르세미술관 Paris RF 1780
 알프레드쇼샤르 기증